The Crime Fiction Expo is always one of the most anticipated events for lovers of mystery, thrillers, and everything in between. This year was no exception. The expo brought together some of the brightest minds in crime writing, offering attendees a glimpse into the creative process behind the most gripping stories of deceit, suspense, and clever detective work. The author panels were the real highlight, featuring well-known crime fiction authors as well as rising stars, each with a unique perspective on the genre. Here, we’ll dive into some of the most thought-provoking insights and moments from the Crime Fiction Expo author panels, exploring what it takes to create a compelling crime story that keeps readers on the edge of their seats.
The Art of the Twist: Keeping Readers Guessing
One of the most well-attended panels at the expo was “The Art of the Twist,” which featured celebrated authors like Marcus Blake, whose thrillers are renowned for their jaw-dropping endings, and Naomi Winters, a rising star in psychological suspense. The discussion revolved around how to craft the perfect plot twist without it feeling forced or predictable. Blake explained that the key to a successful twist is to ensure it serves the story, rather than just being included for shock value. He shared that, in his latest book, he spent months rewriting the ending because he wanted readers to feel both surprised and satisfied when the twist was finally revealed.
Winters added that a great twist should always be hidden in plain sight. According to her, the best twists are those that seem obvious only after they have been unveiled. She gave a peek into her own writing process, noting that she often outlines her plots backward, starting with the ending and working her way to the beginning. This method ensures that every clue is carefully placed, leading readers down a path that feels inevitable once the twist is revealed.
The audience was captivated as both authors spoke about the fine balance between giving away too much and holding back enough to keep readers intrigued. They agreed that understanding readers’ expectations is crucial; a well-executed twist is about playing with what readers think they know and subverting it in a way that still makes sense. Blake ended the discussion with a tip for aspiring crime writers: “If you want to surprise your readers, first learn how to misdirect them—make them look one way while you quietly build the real story just out of sight.”
Characters in Crime: Building a Convincing Villain
Another standout panel focused on one of the most crucial aspects of crime fiction: creating a convincing villain. Titled “The Mind of the Criminal,” this panel featured authors who excel at writing morally complex antagonists. On stage were Helena Frost, whose chillingly realistic portrayals of serial killers have earned her a reputation as a master of the genre, and Daniel Cross, known for his crime novels that blur the lines between hero and villain.
Frost spoke about the importance of giving villains depth. “A one-dimensional villain is boring,” she said. “Readers want to understand what makes them tick—what traumas, motivations, or beliefs drive their actions.” She explained that her goal is to make the villain’s point of view almost relatable, even if the character’s actions are reprehensible. This sense of empathy, she argued, is what makes a villain truly terrifying—the recognition that, under different circumstances, anyone could be capable of dark deeds.
Cross, meanwhile, emphasized the value of ambiguity. He prefers villains who aren’t purely evil but rather operate within a gray area, often believing they are the hero of their own story. “I want my readers to question themselves,” he said. “I want them to see a part of the villain in themselves, to understand how easy it could be to cross a line if pushed far enough.” Cross also spoke about the influence of real-world events on his writing, mentioning that the complexity of human behavior, especially in times of crisis, often informs his characters.
The audience was particularly engaged when both authors took questions. One attendee asked about the ethical implications of making villains relatable. Frost responded thoughtfully, saying that while crime fiction explores the darkest parts of humanity, it also serves as a reflection, allowing readers to confront uncomfortable truths about the human condition in a safe space. The discussion underscored that the best villains are not just obstacles for the protagonist but fully fleshed-out characters who challenge the reader’s morality.
From Page to Screen: Adapting Crime Fiction for Television
With the growing popularity of crime fiction adaptations on streaming platforms, it was no surprise that a panel dedicated to this topic drew a large crowd. Titled “From Page to Screen: The Challenges of Adaptation,” this discussion featured crime writers who had seen their work transformed for TV and film. Authors included Lisa Graham, whose detective series was recently adapted into a hit television show, and Michael Donovan, who has written both novels and screenplays.
Graham spoke candidly about the challenges of letting go of creative control. “Seeing my book brought to life was thrilling, but also difficult,” she admitted. “The characters felt like family, and suddenly other people were making decisions about them.” She described the process of working with screenwriters and directors as a lesson in compromise, noting that what works on the page doesn’t always translate well to the screen. Despite the challenges, Graham said that seeing her characters brought to life by talented actors added a new dimension to her story, one that she could never have imagined on her own.
Donovan, who has experience on both sides, talked about the importance of pacing in adaptations. He explained that novels allow for a slower build-up, with intricate details that draw readers into the mystery. In contrast, television demands a faster pace to keep viewers engaged. Donovan also emphasized the need to preserve the core of the story, even when changes are necessary for the visual medium. “Adapting a book is about capturing its essence,” he said. “You have to identify what makes the story compelling and ensure that comes through, even if the plot points change.”
The audience was eager to hear about the differences between writing for the page and writing for the screen. Graham noted that screenwriting taught her the value of brevity and dialogue, while Donovan encouraged aspiring writers to think visually, even when writing prose. The discussion left attendees with a deeper appreciation for the challenges and rewards of bringing crime fiction from page to screen.
The Role of Setting: Creating Atmosphere in Crime Fiction
A panel titled “The Role of Setting in Crime Fiction” explored how a well-crafted setting can become a character in its own right. This discussion featured authors who excel at creating atmospheric settings that elevate their stories. Rebecca Shaw, whose crime novels are set in the desolate moors of northern England, and Samir Patel, known for his gritty urban thrillers, shared their insights on the role of setting in crime fiction.
Shaw spoke about how the moors are more than just a backdrop in her novels—they embody the isolation and danger her characters face. She described spending weeks in remote areas, absorbing the landscape, and translating that sense of bleakness into her work. “The setting has to feel real,” she said. “It has to impact the characters’ choices and the mood of the story. The moors, with their unpredictable weather and endless horizon, reflect the uncertainty and fear that permeates my novels.”
Patel, on the other hand, discussed the vibrancy of urban settings. He highlighted how cities, with their crowded streets and hidden alleyways, offer a rich tapestry for crime stories. Patel described how the constant movement of the city mirrors the tension of his plots, with danger lurking around every corner. He also spoke about the importance of research, noting that he often spends hours walking through neighborhoods, capturing the details that make his settings authentic. “Every city has its own rhythm,” he said, “and capturing that rhythm is key to immersing the reader.”
The audience appreciated the detailed descriptions of how setting influences narrative and character development. One aspiring writer asked about balancing setting with plot, to which Shaw replied, “The setting should never overwhelm the story, but it should always serve as a catalyst for action. When done right, the setting is not just where things happen, but why they happen.”
Why We Love Crime: The Psychology of Mystery and Suspense
The final panel of the day, “Why We Love Crime: The Psychology of Mystery and Suspense,” explored why readers are drawn to crime fiction. Featuring psychologist Dr. Olivia Martin alongside crime writers Tom Richards and Karen Monroe, the discussion provided fascinating insights into the allure of the genre. Dr. Martin explained that crime fiction allows readers to safely explore their fears, providing a structured way to confront the unknown and the morally ambiguous.
Richards added that the appeal of crime fiction lies in the resolution it provides. “Life is messy and often without clear answers,” he said. “Crime fiction, on the other hand, offers a problem and then solves it. There’s a comfort in that—knowing that, by the end, the mystery will be unraveled, and justice will be served.” Monroe expanded on this idea, pointing out that crime fiction often highlights the triumph of good over evil, giving readers hope even when the world seems uncertain.
The discussion also touched on the ethical considerations of writing crime fiction. Monroe spoke about the responsibility authors have when depicting violence and trauma, emphasizing that while crime fiction often deals with dark themes, it should never glorify the suffering of victims. The panel concluded with a discussion on how the genre is evolving, with more focus on psychological complexity and less reliance on outdated stereotypes.
The Crime Fiction Expo author panels provided a wealth of insights for fans and aspiring writers alike. From crafting unforgettable twists to creating nuanced villains, these discussions showcased the intricacies of crime fiction and the dedication it takes to craft a compelling mystery. For those who attended, the event was not only an opportunity to learn from some of the best writers in the genre but also a chance to connect with others who share a passion for stories that keep us guessing until the very last page.
